Eddieslist: First photo assistant needed

British fashion photographer (Ben Morris, Art Department) recently relocated to NYC seeks NYC-based first assistant to work with on ongoing regular basis. Must be familiar and comfortable with film and film cameras, and possess all usual skills expected of a competent, experienced first.

Resumé and brief cover to eddie@eddiebrannan.com
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EDDIESLIST

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Family history

My mother and I have been trying to gather as much as possible, because our family on her side at least is kinda remarkable. This is the body of an email we got from my aunt, who's been working on trying to get the facts in order. Nan is my great grandmother, Pop my great grandfather…

 

This is what history I know.

During the first world war, Nan Michalidis father was a a postman, and they lived in Gorizia, which country changed borders, and was once part of Yugoslavia, then part of Northern Italy.  I understand it was part of Austria as well.  Nan spoke 7 languages – Slav being her first language when she was young.

The Italians conquered her village.  Her father was a partisan, and was captured.  He was tied to the back of a jeep with a rope, and dragged around the village until he died in front of the whole family.

Nan’s mother (Maria Questo – nee Marinich, she was married twice) ,caught typhoid fever and was taken to hospital.  The villagers were in desperate condition.  Great grandmother Questo  lost all her hair before she eventually died.  She was nursed in the hospital by Nan Michalidis, who also caught typoid. 

In Nan’s family, there were six brothers.  Nan was the only darker one.  One of her brothers had red hair.  The brothers fought with the Austrian army against the Italians.  She never saw them again, and was an orphan at a young age.  She thought one of her brothers at least, ended up migrating to America, but lost track of him.

The Red Cross sent her to Egypt as a refugee, and found her work with a wealthy family as a servant.

Pop( Jean Michalidis) was a profession singer, (born in Limassol, Cyprus) trained in Italy as an opera singer, and adopted the name of Signor Michelli.

He had older sisters, and could not marry until his older sisters were married.  He ran away and married Nan (Stefania Questo).

Your mother briefly remembers meeting her fathers family, but they were not receptive to Nan M and your mother and brother Jim (whose name is Dimitri Michalidis).

Uncle Jim, your mother and parents lived prosperous, well educated lives.  Nan and Pop had servants, and they looked after the children while they travelled extensively with an opera company around the Mediterranean and Northern Africa.

Nan and Pop came with the company Pop formed to Australia with a partner.   The partner stole the company’s money and your grandparents were stranded here.  Because Pop was competent in bookbinding, and singing, he maintained the family who lived in Queens Park.  In the meantime Mary (listed on her passport as a Romanian- this is a bit of an unsolved mystery.  Some members of the family thought Nan had a fair bit of gypsy in her)) and Amelia (Australia)were born.  Nan had a son born here as well, who she called Constantine.  The neighbour who registered the baby boy thought Constantine was too foreign, and so he was registered Douglas.

Mum and Jim were left behind in Egypt.  A friend looked after your mother, and she was educated in a French Convent where she learned fluent French, as well as speaking Greek, English, Italian, and Egyption.  She learned  English in Australia.

The house where she stayed had very strange arrangements – not what Mum was used to.  Different doors, different house areas where she was not allowed, and the “friend” was very strict and not very nice to Mum.

Later, mum found out the “house” was a brothel.

The ship was steam and sail.  The captain defended her at one time in his cabin against a rebellious crew.

After a fire at sea, and repairs at Colombo, they arrived in Australia bringing with them the family jewels which had been entrusted to them.

At the excitement of greeting the family, the jewels were left in the taxi, which took off and the jewels were never regained.

Signor De Micheli found your father who was looking for a singing teacher,  (You may remember Dad had a very good voice), and brought your dad to his house in Queens Park where he subsequently met Mum.  You know the rest of the story.

Pop Michalidis (or Signor De Micheli) was king of the castle.  He was spoilt by his wife, and he was not interested in promoting a singing career for any of Mum’s sisters or herself – you know Mum has a good voice(she still sings in tune).  Mum did want to sing on stage, but was not allowed.

The Michalidis family also had a dairy  of sorts in Queens Park, and Michael says pop introduced Feta cheese into the community here.

 

Eddieslist: Fader Creative Director

The Creative Director will work in a fast paced busy environment that requires dedication, thorough attention to detail and a keen sense of responsibility and will be responsible for all of The FADER's creative needs. The Creative Director will work with and report to The FADER’s Editor In Chief and Publisher. The ideal candidate has ample editorial experience as well as digital/web/general design knowledge and skills.

Duties to include but are not limited to:

Creative direct and design, alongside a designer, the print edition of The FADER. Photo coordination done in conjunction with Photo Editor.
  • Oversee production of print edition - including shipping of files and direct communication with prepress/printers as well as adaptation of iPad (Zinio) version
  • Manage art budgets in conjunction with editor/photo editor
  • Oversee visual direction of all digital (web and mobile) FADER properties. This includes management and quality control of the day to day web operations in collaboration with edit staff and Online Editor.
  • Creative direction and design for client projects including in book advertorials, custom website initiatives, music compilations and event series
  • Creative direction and design for all needs of the business development and marketing teams including sales presentations and proposals, marketing materials, media kits, etc.
  • When necessary, collaborate with the Cornerstone creative team
    please send resume and relevant portfolio websites/PDFs of work to matthew@thefader.com as well as anthony@thefader.com

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    EDDIESLIST

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  • EDDIESLIST: Director of Photography, Eddie Bauer, Seattle

    Director of Photography/Photo Art Director Search

    We are currently working on a great search for a Director of Photography for Eddie Bauer.

    Eddie Bauer has embarked on a re-invention with the goal of connecting with its heritage. The brand reinvention is being led by the compelling new CEO, Neil Fiske, and a new executive creative team.  In addition to a new SVP Creative Director [who has an apparel background], a Vice President, Creative Director and Divisional Vice President have been selected to lead creative for all consumer touch points, including branding, advertising, catalog, web, promotional materials, retail graphics and visual. These dynamic, energetic and extremely talented creative directors are putting together a dream team to produce top-tier work.  They are currently seeking a full-time Director of Photography, who will be responsible for managing the development and execution of all photographic assets.

    We need a strong art director who has fashion experience, and who understands the range, style, and type of photographic assets required in retail and catalog/direct markets. This position requires an excellent manager with a true collaborative spirit, and an aptitude for negotiating logistics and budget. Experience in fashion, retail, and catalog are a must; location experience and background with a vertical retailer are preferred. The ideal candidate will help raise the barre of all of the design/photo work produced for the brand, and will also help manage the creative photo department.

    Key relationships for this role include the internal teams of producers, editors, art directors and designers, as well as both the in-house and external talent who will be assisting in realizing the brand vision and goals.  Merchant relationships are key as well, and prior experience with merchants is an absolute essential.

    The appropriate candidate will have 8-10+ years of significant art direction experience and 5+ years of team management experience. Compensation will depend on the candidate. The position is located at the company headquarters in Seattle.

    This is a great opportunity to participate in the turnaround of an iconic brand, while working with a dream team of retail talent.  If qualified, please submit current resume and PDF-bound images of relevant work to resume@michellestuhl.com.  Please place "Director of Photography" in the subject.
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    EDDIESLIST

    EDDIESLIST is an occasional announcement of jobs largely in the creative field.

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    [NYC_hypno_zombies] 80%20 Footwear seeks Full Time Studio Coordinator

    80%20 Footwear seeks Full Time Studio Coordinator

    New York city based shoe design and wholesaler seeks a full time Studio Coordinator to manage day to day functions.  Our company is a fun, creative and fast paced but casual entrepreneurial environment.  Excellent opportunity for someone who wears multiple hats with ease, is highly organized, and works well with little supervision.  We are seeking a pro active and solution minded thinker with demonstrated ability to work under time pressure and meet set deadlines.  The right candidate must be a responsible self-starter and team player who values detail and accuracy, with superior follow through skills.

    We are seeking candidates with previous experience in office management, bookkeeping and/or shipping and distribution.

    Job responsibilities and duties:
    *  Answer phones and/or route daily communications from customers and colleagues.
    *  Responsible for day-to-day office operations and upkeep; support administrative needs.
    *  Data Entering item skus into QuickBooks and inventory management system software.
    *  Review sales orders, obtain credit approvals, and approve orders for shipping.
    *  Data and order entry and maintenance of customer database.
    *  Ensure bookkeeping is up-to-date and accurate for current reporting. Cash and credit card receipt entering.
    *  Customer support for retail and wholesale customers.
    *  Assist with the EDI and compliance process with major retailers as it relates to receiving purchase orders, sending invoices electronically, and meeting other compliance.
    *  Analyze methods and process to uncover problems and inefficiencies; proactive in researching and implementing cost efficient strategies.
    *  Communicate with customer point persons from the order process through completion; invoice and follow up on Account Receivables.
    *  Human Resources support including employee attendance tracking.

    Qualifications:
    *  Bachelor's degree from four-year college or university.
    *  Proficient in Microsoft Office programs, Quick Books database systems (or other); apparel/footwear industry software-EDI a plus.
    *  Excellent communication skills.
    *  Time management skills.
    *  Proactive issue resolution with results.
    *  Work well under pressure.
    *  Flexibility and ability to manage changes in priorities and schedules.
    *  Ability to learn new systems quickly.

    Please send cover letter and resume to info@8020nyc.com

    Salary commensurate with experience.  Benefits include vacation and health care options.

    www.8020nyc.com
    www.8020nyc.com/blog
    Follow us:  twitter.com/8020shoes  | facebook.com/8020shoes
    Watch our Spring 2011 video lookbook: Vimeo | YouTube
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    EDDIESLIST

    EDDIESLIST is an occasional announcement of jobs largely in the creative field.

    If interested in a position, please use the contact info in the listing.

    If you’re prefer not to receive these emails please respond with UNSUBSCRIBE in the subject line.

    If you’d like to be added to the list please respond with SUBSCRIBE in the subject line.

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    The original Cicero from which Lorem Ipsum emerged, and the passages translated into English.

    [32] Sed ut perspiciatis, unde omnis iste natus error sit voluptatem accusantium doloremque laudantium, totam rem aperiam eaque ipsa, quae ab illo inventore veritatis et quasi architecto beatae vitae dicta sunt, explicabo. Nemo enim ipsam voluptatem, quia voluptas sit, aspernatur aut odit aut fugit, sed quia consequuntur magni dolores eos, qui ratione voluptatem sequi nesciunt, neque porro quisquam est, qui dolorem ipsum, quia dolor sit amet, consectetur, adipisci[ng] velit, sed quia non numquam [do] eius modi tempora inci[di]dunt, ut labore et dolore magnam aliquam quaerat voluptatem. Ut enim ad minima veniam, quis nostrum exercitationem ullam corporis suscipit laboriosam, nisi ut aliquid ex ea commodi consequatur? Quis autem vel eum iure reprehenderit, qui in ea voluptate velit esse, quam nihil molestiae consequatur, vel illum, qui dolorem eum fugiat, quo voluptas nulla pariatur?
    [33] At vero eos et accusamus et iusto odio dignissimos ducimus, qui blanditiis praesentium voluptatum deleniti atque corrupti, quos dolores et quas molestias excepturi sint, obcaecati cupiditate non provident, similique sunt in culpa, qui officia deserunt mollitia animi, id est laborum et dolorum fuga. Et harum quidem rerum facilis est et expedita distinctio. Nam libero tempore, cum soluta nobis est eligendi optio, cumque nihil impedit, quo minus id, quod maxime placeat, facere possimus, omnis voluptas assumenda est, omnis dolor repellendus. Temporibus autem quibusdam et aut officiis debitis aut rerum necessitatibus saepe eveniet, ut et voluptates repudiandae sint et molestiae non recusandae. Itaque earum rerum hic tenetur a sapiente delectus, ut aut reiciendis voluptatibus maiores alias consequatur aut perferendis doloribus asperiores repellat...

    H. Rackham's 1914 translation (with major source of Lorem Ipsum highlighted):

    [32] But I must explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you a complete account of the system, and expound the actual teachings of the great explorer of the truth, the master-builder of human happiness. No one rejects, dislikes, or avoids pleasure itself, because it is pleasure, but because those who do not know how to pursue pleasure rationally encounter consequences that are extremely painful. Nor again is there anyone who loves or pursues or desires to obtain pain of itself, because it is pain, but occasionally circumstances occur in which toil and pain can procure him some great pleasure. To take a trivial example, which of us ever undertakes laborious physical exercise, except to obtain some advantage from it? But who has any right to find fault with a man who chooses to enjoy a pleasure that has no annoying consequences, or one who avoids a pain that produces no resultant pleasure?
    [33] On the other hand, we denounce with righteous indignation and dislike men who are so beguiled and demoralized by the charms of pleasure of the moment, so blinded by desire, that they cannot foresee the pain and trouble that are bound to ensue; and equal blame belongs to those who fail in their duty through weakness of will, which is the same as saying through shrinking from toil and pain. These cases are perfectly simple and easy to distinguish. In a free hour, when our power of choice is untrammelled and when nothing prevents our being able to do what we like best, every pleasure is to be welcomed and every pain avoided. But in certain circumstances and owing to the claims of duty or the obligations of business it will frequently occur that pleasures have to be repudiated and annoyances accepted. The wise man therefore always holds in these matters to this principle of selection: he rejects pleasures to secure other greater pleasures, or else he endures pains to avoid worse pains.